So,
remember when I touched on the whole, you know, “being queer” thing in my last
post on identity? Ha, awkward, am I right? Well, actually, let’s talk about
that a little bit more, just not entirely in the context of my own life.
BUT
FIRST, in case you haven’t read my previous post, let’s go over my experiences
again real quick. And while I’m at it, let’s also go over the topic of Identity
Work as described by Lee Humphreys in her book, The Qualified Self,
chapter three. Humphreys describes identity work as these different versions of
ourselves that we present to different people, and how that’s reflected through
social media. If you clicked the link in the first sentence of this post, this
will probably sound pretty similar to the concepts that I discussed there. But
this one is a little more fleshed out and goes in some interesting directions
that we’ll touch on throughout this post.
In the
context of these alternate versions of ourselves that we create, I (in my post)
mentioned that sometimes people in the LGBT+ community, such as my genderqueer
lesbian self, need to create substitutes to keep certain people in certain
less-than-savory situations from figuring too much out. For example, I usually
give my lack of time, abundance of projects, and good grades as my reasons for
not having a boyfriend. I mean, not that I have a girlfriend and/or significant
other right now either, so it’s less of a lie, I guess.
But yeah,
that’s just me. Let’s go over some hypothetical and not-so-hypothetical
examples of other ways this applies.
Let’s
pretend (unless you actually are) that you’re gay, and/or trans, and/or ace, and/or
wherever you want to be in the LGBT+ community for this example. Maybe you’ve
just now realized who you are, and you’ve had social media for years, and you’re
not sure how to bring your identity up there, or if you even should. The people
on your social media don’t necessarily know you as queer. Do you want them to
know? Does it feel like you’re keeping a shameful secret otherwise? Or maybe,
you’ve known for ages, but don’t know how to bring it into your social media.
Will it affect your brand? This may or may not be a hypothetical for you,
reader, but it’s a reality for many of us. There are so
many guides and articles about
coming out on social media. Just think about the implications of that. It’s a
common experience.
Turning
to a less hypothetical example… Does anyone remember Dan and Phil? I had
friends who watched them when I was younger, but I never followed them that
much myself for some reason. If you watch YouTube on the regular, you probably
know where I’m going with this. Last year, Dan made a coming out video,
and I’m pretty sure it was in everyone’s recommendations section. In it, he took
viewers through a journey of self-acceptance that he’s been on for many years. And
in those years, he kept his queer identity private from the internet. The same
can be said for his intentionally-left-vague relationship with Phil. Dan said
that he likes to keep his personal life private from the internet (understandably).
So, there’s his internet self, which was impacted and updated with details from
coming out. Then there’s the other, unknown from social media, self that comes
out when he’s away from the prying eyes of a million 13-year old girls
fetishizing him and Phil.
Another
example that we saw around the same time is the performance by Eugene
Lee Yang of the popular YouTube channel, The Try Guys. His choreography focused
on the struggles he’s faced through his entire life as a result of his
identity, and ultimately was a dramatic and graceful leap out of the closet.
(Seriously, it’s beautiful, watch it if you haven’t and watch it again if you
have.) His performance, showing different aspects of himself at different times
of life, represent the concept of alternate selves very well, and him going
from keeping this part of himself away from the internet to coming out how he
wanted to illustrates the topic of queer identity work and social media pretty
well.
A
subtopic within Identity Work that Humphreys describes is “Baby Books as
Identity Representations.” She explains how it’s a form of scrapbook-y record
keeping that women are typically charged with, and how it’s evolved over time.
However, I can’t help but think of the social maintenance of gender binaries
when I go to Hobby Lobby and see stuff that’s meant for these. By the way, this
isn’t “oh, special snowflake sjw hates baby books because gender.” I just think
it’s a little weird how obsessed with assigned gender our culture is. Like, why
is the girl book pink with little pictures of princesses in it? Why is the boy one
blue with pictures of dinosaurs? If you step back, the gendered
baby books, the obsession with gender
reveals… It’s definitely a sort of social maintenance work, and it feels a
little brainwash-y. It assigns a new person an identity and certain interests
before they even know what that means. I’m not saying that gendered baby books
are the end of the world, I’m just saying that we should be conscious of what
we’re actually saying when we gender everything.
That’s
all a lot to unpack. To be honest, I could probably go on a while longer, but I’m
going to cut myself off before anything turns into a rant. Talking about my own
identity and views online is definitely something that’s a little bit out of my
comfort zone. But if anyone stumbles over this and connects with it, or thinks
about something in a new way, then I’m happy to have posted it. See ya later,
anonymous internet humans.
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